"Some of his sets were just unbelievable, I remember dancing to Liz Torres 'Can't Get Enough' for 35 minutes, it was beyond hypnotic and the end people just stood there and screamed for more. Unfortunately he pushed himself to the limits too and it became self destructive" David Piccioni for Larry Levan.
Κυριακή, 2 Δεκεμβρίου 2012
Τετάρτη, 12 Σεπτεμβρίου 2012
Σάββατο, 8 Σεπτεμβρίου 2012
''If you ask me "My Autumn's Done Come" by Lee Hazelwood is quite possibly the best retirement song ever written. The maverick singer-songwriter was only 37 when he wrote and recorded the song in 1966, yet it's one of the most evocative autumnal songs ever attempted, an unflinching look at the bath-chair period. "Let those 'I-don't-care-days' begin," he sings, "I'm tired of holdin' my stomach in/ Bring me water short and scotch tall / A big long black cigar that ain't all / Hang me a hammock between two big trees / Leave me alone, damned! Let me do as I please ..."
Dylan Jones-Independent/Dylan Jones is the editor of 'GQ'.
Πέμπτη, 30 Αυγούστου 2012
Τετάρτη, 25 Ιανουαρίου 2012
A stone killer from the 70s European scene – even though the record was never issued at the time! The album features a rare combination of grooves from the Lafayette Afro Rock Band, and vocals from Mikki White – an American singer who really adds a whole new dimension to their music – taking it into even tighter, funkier areas than before – and giving it a focus that's mighty mighty nice!
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Κυριακή, 25 Δεκεμβρίου 2011
This is the soundtrack for a fictional film that hasn't been directed yet, in the fashion of the late 60s scores. Adrian Younge playing most of the instruments as he's done on his previous album (plus a very special keyboard of his own called the Selene), Younge is helped this time by Motown legend Dennis Coffey on guitar, funkateer Shawn Lee, italian OST specialists Calibro 35 and young soul singer Rebecca Jordan. Imagine Ennio Morricone meets Al Green meets Portishead and you will get a pretty precise idea of the highly romantic, heavy-soul and psychedelic flavours of the Venice Dawn project.(Paris Djs)
Τετάρτη, 2 Νοεμβρίου 2011
In the early 1970s pianist and composer Adegoke Steve Colson and vocalist Iqua Colson were both members of The Association for Advancement of Creative Musicians (AACM), the radical home of jazz music in Chicago, and spiritual home of the Art Ensemble of Chicago.
In 1980, Colson released ‘Triumph!’, recorded in Chicago with a stellar line-up of Art Ensemble and AACM members in the group including Joseph Jarman and Doug Ewart. This album was released on the private-press Silver Sphinx label, and distributed mainly in the local Chicago area. Universal Sound/Soul Jazz Records are releasing this extremely rare deep spiritual jazz album for the first time ever as a hardback edition CD and a very limited edition of 1000 –copy exact reproduction vinyl.
EXCLUSIVE DIGITAL DOWNLOAD only available here
Δευτέρα, 24 Οκτωβρίου 2011
Wake Up Your Mind was released in 1978, the year after FESTAC, so it's unsurprising that it finds in a pan-Africanist mood. In the music,one can hear echoes of Stevie Wonder, Kool & the Gang, Mighty Sparrow and even KC & the Sunshine Band's Bahamian junkanoo-inspired disco, as the lyrics exhort the unity of the African disapora. The album is definitely designed for maximum crossover effect, but Haastrup has never been
shy about his ambitions to transcend theconventional ideas of what an African musician should sound like
"[We need to] show the African musician as an artist first, then as an African... We can be pop, we can be rock, we can be jazz, we can be
soul, we can be everything because in actual fact we have [made] an incredible contribution
to all of that already. So why deny ourselves, or why deny us, the opportunity to cross over into the commercial industry."
Τετάρτη, 28 Σεπτεμβρίου 2011
Tinariwen is a Tuareg group that performs in a Middle Eastern/African. All of the musicians originate from the southern Sahara, the group's name, meaning "empty places," is a reflection of their land of origin. The band formed in the rebel camps of Colonel Ghadaffi, as each of the musicians had been forced from their nomadic lifestyle into involuntary military service. Surrounded by a displaced nation of their peers, Tinariwen forged a new style of music, trading their traditional lutes and shepherd's flutes for electric guitars and drums. The style that resulted was dubbed "Tishoumaren," or "the music of the unemployed." Tinariwen signed to America's Anti imprint in 2010. The label encouraged them to experiment. The end result is Tassili, issued in 2011, in which the band recorded completely acoustically in a protected region of the Southeastern Algerian Desert. The tapes were flown to America where guitarist Nels Cline overdubbed electric guitars and New Orleans' famed Dirty Dozen Brass Band added horns, making Tassili a truly international collaboration.
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Παρασκευή, 23 Σεπτεμβρίου 2011
Teranga Beat proudly presents legendary group Guelewar of Banjul, The Gambia. Amongst the most experimental, psychedelic, bands out of Africa, Guelewar offer a unique sound and intstrumentation, mixing traditional compositions with modern instruments such as Mini Moog. Here in their last recording, live in the "Canari Club de Kaolack". Senegal, 1982 the 12 members guide you to another level, The liner notes include more information outlining the beautiful story of this exceptional band from this distinctive West African country, The Gambia. We hope you will enjoy.
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Belize (or British Honduras as it was formerly known) was the last British colony in Central America and is currently celebrating its 30th year of independence from Britain.
Soul Jazz Records travelled to Dangriga, epicentre of Garifuna culture, on the Caribbean coast of Belize, to produce this new album with Black Carib singers, drummers and musicians.
The West African ancestry of the Black Caribs is a link to the other Afro-musics of the Caribbean and Latin America - the massive drum groups of the Samba Schools of Brazil, the Voodoo poly-rhythmical drums of Haiti, Afro-Cuban Salsa and the sacred Bata drums of Santeria, as well as the hypnotic rhythm of Nigeria’s Afro-Beat and other African musical forms.
The album features the many different styles of Black Carib (or Garifuna) music. The most famous and popular form is the punta, a dance style that was updated in the 1970s when local artists electrified the sound to create punta rock. The most successful groups - Pen Cayetano with the Original Turtle Shell Band, and more recently Andy Palacio – were the first artists to bring Garifuna music to a wider audience. Another artist, Aurelio Martinez, is currently doing the same thing for the Garifuna community in Honduras.
UNESCO has also recently proclaimed the music of the Black Caribs/Garifuna as one of the masterpieces of the oral and intangible heritage of humanity.
The super-deluxe hard-cased CD pack comes complete with extensive text about the culture and history of the Black Caribs of Belize, as well as exclusive photographs of the sessions alongside song annotation and translations. There is also a very limited (1000 copies worldwide) double-gatefold vinyl edition (heavyweight vinyl and sleeve with full sleevenotes).
"Recorded on the country’s coast, these evocative recordings give us Garifuna music at its purest, the stirring sacred chants and percussion testifying to the resilience of African traditions in the New World." The
"Finely packaged, veers away from commercial songs to concentrate on traditional styles, from lengthy, hypnotic passages of drumming and chanting to the call-and-response styles of dugu religious ceremonies." The Guardian
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Πέμπτη, 22 Σεπτεμβρίου 2011
Shot against the colorful and gritty backdrop of some of Nigeria’s urban cities particularly Lagos and through the clever use of extensive in depth interviews, archival footage and still photographs, Elder's Corner will take viewers on a musical journey through the country's turbulent and colorful history. It will chronicle and showcase the lives and work of some of the leading exponents of the various musical movements that spawned Afrobeat, Juju, Apala, Highlife and Fuji music."
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There's always been Disco comps around of course but there was rarely anything that strayed too far from the standards.. the same songs kept appearing over and over again, or the comps would feature records you could pick up anywhere for little money. I've never seen the point in that. I gave up judging a record on its value or rarity a long time ago but surely there's more to disco than Exodus, Martin Circus, Mass Production and all those Salsoul, West End and bloody Prelude records. So it was a nice surprise to find that there were other people out there who thought the same way.
Volume 1 was pretty straightforward - just some nice records, with the only edit being an instrumental of Disco Socks; a strange, thinly veiled reference to the disco sucks movement. Then on Volume 2 I included a few of my edits and introduced the cover up concept to the disco world. That caused a bit of controversy, which of course I loved. And so it continued for five volumes.
What we have here then is the full series, give or take one or two cuts, all remastered, many re-re-edited, with lots of nice naked pictures to boot. For those who've asked since day one "will there be vinyl" I can finally say yes, you're holding it! " Al Kent